As an article in our current Members’ newsletter points out, Shakespeare is not as widely celebrated in the town of his trade as one might expect. You have to search hard for places touched by him. A great example is the spot where he bought a property in Blackfriars – whether to live in or to rent out is not known. The deed which records this sale is the prize document in the exhibition. It bears the Bard’s signature, one of only six known to exist worldwide.
There are many other objects in the show, including other official documents, correspondence, prints, playbills, programmes, maps. Nor is it in any way restricted to Shakespeares’s own time, far from it. We celebrate many historical luvvies from Richard Burbage down to Sir Laurence Olivier. As you might expect, Hogarth’s famous engraving of his good friend David Garrick doing Richard III is featured.
We get the story of Shakespeare’s Globe including a beautiful model from 1951 when its modern photocopy was possibly still a glint in Sam Wannamaker’s eye. You like maps? There are some near contemporary beauties on the wall including the Norden map from 1593. The original – in a book – is about nine inches wide. The LMA have scanned it at massive resolution and blown it up to about six feet wide, so you can appreciate better the London topography at the back end of the sixteenth century. Such a boon.
In addition to all this, there are four smallish audio visual displays. Except without the “audio”, just the visual (what’s that called?). Anyway, they use subtitles. Hoorah, so much more civilised than having booming displays causing noise pollution when you’re trying to enjoy displays. Museums, take note. My favourite was the one about contemporary and subsequent pubs with Shakespearean connections. There’s much about the Mermaid near Cheapside, of course (long gone), but loads more fascinating facts. How many pubs in London today bear Shakepeare’s moniker? Can you name them?
If you’ve read my recent posts about the Office of Works and Royal Mint shows, you’ll know I’m a great fan of smaller exhibitions. Typically, they’ll take you about an hour or so to do properly, and you’ll leave feeling educated and entertained rather than overwhelmed. Shakespeare and London at the LMA is another perfect example. It opens tomorrow and runs until 26th September. Entry is free, don’t miss it.