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Today is the anniversary of the Coronation of Edward VII, at Westminster Abbey in 1902. Consequently, every year on this day I am reminded of Jack London’s The People of the Abyss, published in 1903, but reporting on events of the previous summer. The whole of Chapter VII is about the author’s experience of the Coronation. He observes the parade from Trafalgar Square during the day:

And as it was thus at Trafalgar Square, so was it along the whole line of march—force, overpowering force; myriads of men, splendid men, the pick of the people, whose sole function in life is blindly to obey, and blindly to kill and destroy and stamp out life. And that they should be well fed, well clothed, and well armed, and have ships to hurl them to the ends of the earth, the East End of London, and the “East End” of all England, toils and rots and dies.

…  and then spends the evening on the Embankment with the destitute.

On the bench beside me sat two ragged creatures, a man and a woman, nodding and dozing. The woman sat with her arms clasped across the breast, holding tightly, her body in constant play—now dropping forward till it seemed its balance would be overcome and she would fall to the pavement; now inclining to the left, sideways, till her head rested on the man’s shoulder; and now to the right, stretched and strained, till the pain of it awoke her and she sat bolt upright. Whereupon the dropping forward would begin again and go through its cycle till she was aroused by the strain and stretch. …

…  Fifty thousand people must have passed the bench while I sat upon it, and not one, on such a jubilee occasion as the crowning of the King, felt his heart-strings touched sufficiently to come up and say to the woman: “Here’s sixpence; go and get a bed.” But the women, especially the young women, made witty remarks upon the woman nodding, and invariably set their companions laughing.

When describing the Coronation celebrations and its participants, London’s writing drips with seething sarcasm; his writing about the poor is fueled with pure anger. He uses this chapter in particular to highlight the chasm that existed between the well-off — and indeed even ordinary people — and the destitute poor. All of this in the capital city of the wealthiest and most powerful nation which had ever existed: ‘Abyss‘ is laced through with this particular irony, utterly and deliberately without and ounce of subtlety.

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Coronation souvenir. Royal Collection Trust.

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East End tenement. Photo by Jack London.

The People of the Abyss is an important piece of reportage which should be familiar to all historians of modern London. I see it as a sort of progress report between the bookends provided by Mayhew’s London Labour and the London Poor (1851) and Orwell’s Down and Out in Paris and London (1933). Mayhew, of course, didn’t feel the need to be ’embedded’ as the other two did, but he did have a penchant for impoverishing himself nonetheless – another story. ‘Abyss’ is far more angry than the other two and certainly more ‘left-wing’. All have the virtue of being easy-to-read despite their most harrowing subject matter. I think the explanation for this is that the writers were all journalists who wrote extraordinarily well.


People of the Abyss (1902) by Jack London is available online for free from the Project Guthenberg, here. Scroll down for the Coronation, Chapter VII.

British Pathé footage of the Coronation of Edward VII.

 

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This review is a guest post by London Historians Member Hannah Renier. 

London-BridgeDorian Gerhold’s London Bridge and its Houses, 1209-1761 is a handsome illustrated volume based on extraordinary scholarship. An interest in any aspect of London before 1761 will be enriched by this book because the bridge (for almost its entire life the only one) was so intrinsically a part of Londoners’ lives.

You may already know the 1969 scale model of it, a wonderful, but static, exhibit in St Magnus the Martyr Church. Gerhold’s book offers a more dynamic view in which some of the details assumed by historians in 1969 have been revised. Here the bridge, its many inhabitants, and the events that affected it, come alive through time, thanks to diagrams, plans, plates, details from well-known images and imaginative coloured reconstructions.

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Gatefold spread pp 2-3 is a pre-1590 image from Samuel Pepys’s Library.

Peter de Colechurch and Henry Yevele were the first in a long parade of Masters employed to direct works on the bridge throughout its life. Diagrams show us exactly how, in the last decades of the twelfth century, mediaeval Londoners began to construct a bridge 283 metres long over a fierce tidal river – a feat as astonishing as today’s Tideway Tunnel project. Supplied only with manpower and horsepower, picks and shovels, winches and buckets, iron-tipped piles, tons of rubble, stone and timber, and determination, they made a populated landmark that endured, with maintenance and repair, for more than 550 years.

Almost everything on and around London Bridge changed in that time, and Gerhold has had access to the Bridge House and Common Council records among others. Copious details about the buildings, their interiors, the people who lived there and the rentals they paid are available from 1460 until the bridge’s final years, and a less complete record exists back to 1358. Essentially this was a roadway above the water from north to south, supported on 19 brick and stone piers which stood on starlings – these being east-to-west rubble-filled caissons up to fifty feet long, firmly lodged in the riverbed. As first built, it catered for commerce, religion and defence. At the north (City) end there was a convivial open space and plenty of room for upmarket shops, with modest living accommodation above, to line your path as you crossed the Thames. Near the middle stood more shops and a fine large chapel dedicated to St Thomas à Becket. At the south (Southwark) end, from which any threat to the City was likely to come, the shops were cheaper and narrower. Heading north from Southwark you, or your horse and cart, would have to pass under a stone gateway with a portcullis, cross a military ground, and traverse a drawbridge.

With the centuries, much of this changed. The monks of the chapel had been responsible for managing London Bridge when it opened, but they agreed before sixty years had passed to cede control and income from tolls and rents to the committee of Bridge House, an entity of the City of London which owned the Southwark abutment (the wide land-based approach).

During the Reformation, the chapel was destroyed. It was eventually replaced by a large shop, warehouse and accommodation. Stocks and a cage for offenders were installed at the Southwark end. There was a licensed lady apple-seller there in Tudor times: apples for hurling, probably. At the Stone Gate, wrongdoers’ decapitated heads were displayed on poles from 1577 until 1684, says Gerhold, who likes to be accurate (other sources suggest there were heads after that). The timber-framed shops became taller, wider, deeper and more numerous; most were more than four storeys high. Waterwheels were constructed in 1590 next to the north end, to supply piped water to local houses. At the south, waterwheels drove a corn mill as well as a water supply. There were communal latrines at the north and south abutments, although the one on the City side eventually crashed into the river (while in use).

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Representative spreads from this richly-illustrated book.

With time and less civil disorder, the portcullis and the drawbridge became redundant. Commerce took precedence, and more shops were built east and west of the military ground. The road was gradually, and piecemeal, widened, although pinch-points remained. It was no ordinary road, open to the sky along its length; from the thirteenth century for at least four hundred years cross-buildings (oversails) were popular. These were rooms that spanned the entire street from house to opposing house above the traffic.

So that this ‘bridge’ would not thereby become a tunnel over the river, cross-building was permitted only at alternate houses and from the first storey upwards. This left a height clearance of under ten and a half feet – not a lot for a laden cart. From the seventeenth century new crossbuilds had to spring from the second storey. Imagine sleeping high above the Thames with a gale whipping up the current, your house-timbers groaning and your trade sign screeching. People felt safer with an oversail that would peg their vulnerable homes to both sides of the road. For the houses, with their shopfronts, were not built on top of the road – they had only a toehold on it, and their main rooms overhung the river. This was never a cantilever arrangement. Instead they were supported on, and from, the piers by massive timber hammer-beams, or stone arches.

Dorian Gerhold names the traders and makers who lived above their shops at different times, and shows how the wares they sold changed over the centuries from warlike: bows and arrows made on site and sold – to luxury:imported silks and muslins, and books. Very few alehouses were permitted (rowdiness), and pastrycooks were discouraged (fire). But the seventeenth-century bridge’s coffee houses, promising well-informed discussions of culture and politics, became popular with City men.

The shopkeepers and their families had privies, cellars (often inside the piers), counting houses, garrets and ‘water rooms’ supplied with winches and buckets to draw water from the teeming gullets under the arches. Almost all their chimneys, hearths and kitchens were high above the river. Some houses had ‘walking leads’, which this reader imagines as lead paths behind the roof balustrades, perfect for an evening stroll and a view up or down river. For a long time, the ‘House of Many Windows’ straddled the road facing south; a frontage that was almost entirely crown glass must have twinkled magnificently at sunrise and sunset. The drawbridge building, with houses at either side, was eventually replaced by the spectacularly colourful late-Tudor Nonsuch House.

The bridge was threatened throughout its existence by the tidal tumult between its arches, bitter winters with the frozen Thames expanding, and riot and revolt. Also disease: the Black Death depleted it of traders, although those who remained took the opportunity to take on neighbouring empty properties. Fire was the biggest threat of all. The massive Southwark conflagration of 1212/1213 destroyed buildings as far north as the Chapel. Most of the City end burned in 1633. The Great Fire of 1666 rushed down Fish Street Hill and Pepys watched it destroying more bridge buildings at the north end. Afterwards, London Bridge houses were exempted from the new no-timber-building rule, so nobody was surprised when in 1725 there was another big blaze.

London prospered nonetheless, and so did the 500 or so bridge-dwellers. Their tapestries, looking-glasses, tables, pictures and furnishings are documented house by house. This may make the book sound so detail-heavy as to be a mere compendium of lists, which it isn’t ¬– the drier facts and figures are tabled in appendices.

Towards the end (which may have begun with the great overhaul and sloppy rebuild of 1683-96), maintenance began to fail and corners were cut. The enormous timbers that supported the original bridge were perhaps no longer available or too expensive, but somehow regulation was relaxed with predictable results. New, poorly supported houses threatened to topple. At this time, in the early 1700s, bridges with buildings – which in the thirteenth century had been fashionable in northern Europe – were understandably considered rather a nuisance. The commercial world was in a hurry and immigrants from all over the kingdom were pouring into London. Traffic bottlenecks were bad for trade. And nearby bridges finally defeated Bridge House’s monopoly: Westminster in 1750, Blackfriars in 1769, Waterloo in 1815.

George Dance produced an ominous report on the high cost of repairing London Bridge. The City’s solution was house clearance. Despite protests from their inhabitants, the bridge houses were demolished, the piers cut down, an arch removed and the road widened to 45 feet. That happened between 1757 and 1761. Afterwards London Bridge was not itself. It had lost its world-class sparkle in exchange for improvements which were incomplete. It now provided clear passage for carts and carriages, but the remaining arches continued to obstruct river traffic.

Following the British victory at Waterloo, money was found and a wholly new London Bridge commissioned. In the 1820s work began on John Rennie’s sturdy and serviceable design. It was completed, a few pulls of the oars upstream, by 1831. The London Bridge, Old London Bridge which had been opened in 1209 on the site of many previous timber bridges, was demolished. It ‘vanished without leaving any visible trace’. It had been, as this book shows, one of the liveliest parts of London.


London Bridge and its Houses c1209 – 1761 (168pp) by Dorian Gerhold is London Topographical Society Publication No. 182, 2019. It is priced at £21 for LTS members*, £28 for non-members. Plus postage.

* Note that LTS members automatically get one copy of the annual book free of charge as part of their membership.

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Guest post by LH Member David Brown. Book review of the recently-published Palaces of Pleasure by Lee Jackson. 

PoPPalaces of Pleasure is the most recent book written by Lee Jackson, who is well-known to London history enthusiasts for the Dictionary of Victorian London website, and for his previous book Dirty Old London (Yale, 2014, our review here), a good history of sanitation in London. The subtitle of the book “From Music Halls to the Seaside to Football, How the Victorians Invented Mass Entertainment” lays out the ambition of the author to cover a broad range of entertainments.

The volume provides a very enjoyable read, showing how people in the 1800s spent their free time.

After an introduction, the first three chapters look at how the public house transformed into Gin Palaces, covering the evolution of club and music rooms, and in turn creating the Music Halls. Further chapters investigate dancing rooms, academies and the brief flowering of dancing casinos. Chapters on pleasure gardens and exhibitions are included. Two final chapters cover the seaside and the emergence of football as an entertainment. The conclusion brings together many of the themes and explains why there was such an extraordinary growth in mass entertainment in the Victorian period.

Throughout, the book takes a look at the entrepreneurs that emerged, and how they had to navigate the perils of newspaper sensationalism, the impact of legislation, the temperance movement and the role of the magistrate in shaping the entertainment world. One theme is how the pleasures of the everyday man were seen as threatening and in need of suppression and regulation, whilst the pleasures of the aristocrats and the well-off rarely rated the same view. While in the early period these activities were mainly male, another theme in the book explores how women were perceived, challenges some of the myths around prostitution, and demonstrates how everyday Victorian women increasingly took part in leisure activities.

The author ranges widely, and although most of the places talked about are in London, he also contrasts examples from outside London and particularly in the North of England to show broader trends. Some of the chapters include good case studies (like Samuel Thompson’s wine and spirits business on Holborn Hill and Charles Morton’s famous Canterbury Hall).

Each chapter has a detailed set of end notes. The author uses a wide range of sources (particularly strong on the press), and provides a good bibliography and index. I’d have liked to see more pictures and ideally in the sections of the book that they relate to- here the illustrations included are limited in quantity (26, mostly half page, bound together in the centre of the book).

This is a book that could benefit every London Historian who is interested in 19th Century London. It’s full of anecdotes and facts that will delight the reader. Thoroughly recommended.


Palaces of Pleasure, From Music Halls to the Seaside to Football, How the Victorians Invented Mass Entertainment (320 pp, hardback) by Lee Jackson is published by Yale University Press with a cover price of £15.99.

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A guest post by Catharine Arnold, historian, author and London Historians member. This article first appeared in London Historians Members’ Newsletter for December 2018. 

RUTHOn 12 July 1955, 500 people massed outside the gates of Holloway Prison, singing and chanting for hours. The governor was forced to call for police reinforcements as the crowd protested against the execution of Ruth Ellis, a nightclub hostess who was due to be hanged at Holloway the very next day for shooting her lover. Ruth had been convicted of murder but a higher court, the court of public opinion, demanded a pardon. Ruth’s death sentence had already provoked outrage. Fifty thousand signed a petition begging for the death penalty on Ruth to be lifted, but it had been rejected by the Home Secretary. Ruth was about to become the last woman to be hanged in Britain.

Ruth had not always been a victim. Indeed, she was a survivor, overcoming child abuse and teenage pregnancy after an affair with a US airman, before finding work as a nightclub hostess in London. In 1950 she married George Ellis, a wealthy dentist she’d met at a club, but Ellis turned out to be a violent alcoholic, possessive and controlling. Leaving her children with her mother, Ruth went back to work. With her glittering ash blonde hair, She soon became the main attraction at the ‘Little Club’ in Mayfair, happy to pose nude for the so-called ‘Camera Club’ even when there was no film in the cameras. Driven and aspirational, Ruth took elocution and etiquette classes. Impressed by Ruth’s ambition, her boss promoted her to manager of another club, Carroll’s. It was here that Ruth met David Blakely, a handsome young racing driver, and fell hopelessly in love. Blakely moved into Ruth’s flat above the club and she was soon bankrolling him to subsidise his racing career. But Blakely swiftly proved to be another violent alcoholic, cheating on her with both women and men, then returning to his upper class fiancée in the county at weekends.

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Ruth and David at Brooklands racetrack.

Ruth and Blakely’s affair was tempestuous, fuelled by alcohol and punctuated by terrible rows. On one occasion Ruth ended up in the Middlesex Hospital with a sprained ankle and a black eye. On another, when she confessed to Blakely that she was pregnant, he hit her so hard she miscarried. At such times, Ruth turned for comfort to an older man, Desmond Cussen, a former Lancaster bomber pilot. Events came to a head on Easter Sunday, 1955. Blakely was spending the holiday weekend with his friend and mechanic, Seaton Findlater, at Tanza Avenue, Hampstead, and ignoring Ruth’s calls. When she arrived there, Blakely refused to see her, even though she could hear him inside, flirting with the nanny. Ruth responded by smashing all the windows in his car. A second visit proved even more humiliating, with Ruth muttering to Cussen that ‘if I had a gun I would kill him!’ The third, and last visit took place on the Sunday. With Cussen at the wheel, Ruth waited for Blakely outside the Magdala pub in South Hill Park. When Blakely emerged, Ruth pulled Cussen’s .38 Smith &Wesson revolver out of her handbag and fired at point blank range, with one stray bullet hitting an elderly lady pedestrian. After emptying the gun into Blakely as he lay on the ground, Ruth said calmly: ‘Call the police.’ She was immediately arrested by an off-duty police officer.

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Ruth with David Blakely.

When Ruth appeared before Mr Justice Havers at Number 1 Court of the Old Bailey on 20 June 1955, she was dressed in an elegant black suit with freshly peroxided hair, looking as if she was just about to open up at Carroll’s. Ignoring her barrister’s advice, Ruth could not have looked less repentant. Another shock came when Ruth’s barrister stated that she would be pleading guilty, on the grounds of Blakely’s brutal abuse. But the biggest shock of all came when Mr Christmas Humphreys, prosecuting, asked:
‘When you fired that revolver at close range, into the body of David Blakely, what did you intend to do?’

‘It is obvious’ Ruth replied, in a calm, audible voice. ‘When I shot him, I intended to kill him.’

The jury took just fourteen minutes to find Ruth guilty of murder and she was sentenced to death. This provoked outrage in the press, while Raymond Chandler, that expert on femmes’ fatales, described Ruth’s sentence as ‘the mediaeval savagery of the law’. The judge Cecil Havers filed a personal request for a reprieve. It was ignored. But Ruth had already condemned herself to death, when she squeezed the trigger of that Smith and Wesson. By shooting Blakely, she effectively killed them both.

On 13 July 1955, Ruth wrote to Blakely’s parents, concluding, ‘I have always loved your son, and I will die still loving him.’ Then she put her diamante spectacles down on the table, saying, ‘I won’t need these any more,’ and went to her death. Outside the prison another crowd had gathered, silent this time, waiting for the execution at nine o’clock. When notice of Ruth’s death was posted outside Holloway at 9.18, the angry crowd surged forwards, blocking the road and stopping traffic.

Ruth was hanged by Albert Pierrepoint who later said, ‘She died as brave as any man and she never spoke a single word’.

As with every murder, this case left a painful legacy. Ruth’s estranged husband, George Ellis hanged himself soon afterwards. Ruth’s mother attempted to gas herself and was left with brain damage. Ruth’s son, Andy, who had been supported by Cecil Havers, smashed up his mother’s gravestone and then killed himself. Mr Christmas Humphries paid for his funeral. Ruth’s daughter, Georgina, became an alcoholic. A failed singer, she appeared in a cringeworthy chat show interview with Michael Barrymore, before dying of cancer in 2000. Ruth’s story has inspired much speculation and many conspiracy theories, one of which places her at the heart of a Cold War espionage operation because of her friendship with society osteopath Stephen Ward.

In 2003, Ruth’s case was referred back to the Court of Appeal by the Criminal Cases Review Commission, but was rejected. Her family continues to campaign for her posthumous pardon.

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Review: Night Raiders by Dr Eloise Moss. This review is a guest post by London Historians member Tony Moore, a former policeman and now police and crime historian.

night raidersThe day I received this book to review in June 2019, Asrit Kapaj, a 43-year-old Albanian, known as the ‘Wimbledon Prowler’, was sentenced to 14 years imprisonment after netting a believed £5 million over a ten year period; it is estimated he broke into approximately 200 homes. He is just the most recent in a long line of burglars going back centuries.

The blurb on the back cover suggests Night Raiders charts how burglary has been at the heart of national debates over the meanings of ‘home’, experiences of urban life and social inequality. We are also told elsewhere that it exposes a rich seam of continuity in relation to three areas, the stereotyping of gender roles in the home, gendered forms of criminality and hierarchies of state protection against crime structured by class and wealth.

Reading that you might think it is an academic book but it is much more than that. Using official records, newspaper reports, books, films and television programmes, both fact and fiction, the author has put together a vivid account of the history of burglary, primarily concentrating on the period from 1860 to 1968. Where did the title come from? The term ‘Night Raiders’ was used by an American criminologist to describe a masked man who climbed through windows dressed in black and silently, stole items before melting away into the darkness.

Stories glamorising criminals has a long tradition in Britain, The graphical tales of Robin Hood, Jack Sheppard and Dick Turpin, along with the modern-day, notorious Kray Brothers are prime examples. To this list, add Charles Peace, a burglar who entered homes in the Blackheath and Greenwich areas of London in the late nineteenth-century. Peace was prone to violence if confronted, and was eventually hung for murder. But what makes the book more appealing, is the author’s inclusion of fictional characters such as the Gentleman Thief, A.J. Raffles, a burglar created by Earnest Hornung, the brother-in-law of Sir Arthur Conan Doyle, who also happened to be an excellent cricketer!

Only a few women have been the instigators of burglary. Up until 1931, when those charged with crime in London ceased to be recorded by gender, only three women were charged with burglary compared to every 120 men. Despite the small number, the author describes the activities of some of these women under the title of the Marvellous Mrs Raffles?

A chapter is devoted to the Cat Burglar, a so-called ‘professional’ among thieves because of his daring. Describing the roofs of houses as a neglected oasis of relatively unprotected access points to homes, the author claims the burglars, rather than the police, were masters of this particular landscape, As a consequence, in the 1930s, the Metropolitan Police sought younger and fitter police recruits to take part in what became a contest between law-enforcers and burglars.

Attempts to design burglar-proof homes brought a new set of visible and invisible defences with the development of technologies, including the aptly named ‘Buzzer-Light Shriek Alarm’. Security companies, some encouraged by insurance companies, were set up to handle much of this growth. From 1950 onwards, Crime Prevention Campaigns organised by the Home Office and the police, with the encouragement and support of insurance companies, were regularly held both in London and nationally.

Finally the author examines the role of spy-burglars in London during the Cold War. They were perpetrated by Russian agents living in London or by British operatives which, on occasions, resulted in escalating tensions between the Soviet and British governments. The bungalow in Ruislip, occupied by Peter and Helen Kruger, who were heavily involved in what became known as the Portland Spy Ring, was a relative fortress, given all its security devices to avoid their detection. Comparisons are drawn between these real events and the fictitious world of Ian Fleming’s James Bond and John Le Carre’s George Smiley.

Given that anyone can be the victim of burglary, the book should be of interest to a wide range of readers. It will be of particularly interest to police historians, those who are responsible for designing buildings which make them less vulnerable to burglary, agents who insure property against burglary and those who are interested in fictional burglars such as Raffles.


Night Raiders: Burglary and the Making of Modern Urban Life in London, 1860-1968,  272pp, by Dr Eloise Moss is published by Oxford University Press on 4 July. Cover price £25.

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Review: Trading in War: London’s Maritime World in the Age of Cook and Nelson, by Margarette Lincoln. 

What is the opposite of a spoiler, I wonder? Some six months late, I am able to announce our Book of the Year for 2018. It is this one.  I had already established this at the time but felt a bit daft to broadcast the fact having failed to publish a review. I have therefore now read it twice – no hardship, I can assure you.

This book describes the unsung heroes, heroines – and villains too – who rarely felt the bite of salt water whip across their cheek, but nonetheless played a vital role in keeping Britain’s fleets afloat in the vital period when this country gained hegemony of the oceans.

As the title suggests, this era is characterised by almost constant warfare by both land and sea, but particularly the latter. Great Britain’s only significant reverse was the loss of the American colonies while enjoying great gains in the sub-continent and further afield. War ran in parallel with massive gains in exploration and trade. The end of our period, covered in the final chapter, sees the arrival of steam and the construction of London’s first deep water docks, changing fundamentally East London’s relationship with large shipping until the arrival of containerisation in the 1980s ended it forever.

Trading in War puts the spotlight on the maritime parishes of London, upriver of the City: Wapping, Rotherhithe, Bermondsey, Deptford, Greenwich. These communities built, maintained, provisioned and indeed broke up the ships of both the Royal Navy, mainly stationed in Deptford, and the nation’s merchant fleet (increasingly dominated at this time by the East India Company).

The conditions and well-being of these communities, as the author demonstrates, were affected to a huge extent by war, hence the title. The two main wars in our period were, of course, war against the American colonies and various wars against France after the Revolution to 1815. Through the chapters, the author closely examines the lives of all strata of maritime society on the Thames, men and women, rich and poor. These societies were by definition, largely artisnal: shipwrights, carpenters, rope makers, sail makers, caulkers and so on.

The busiest shipyards in the biggest port in the world offered a myriad opportunity for all. Wealth for the owners; employment for the local populace; and rich pickings for smugglers, pilferers and fences, particularly on high-duty goods. Stakes were high and criminals bold: customs men often met with extreme violence and even death. The author has used the wonderful Old Bailey Online to shed light on this criminality. It is interesting to note that women played a significant part.

Indeed, Margarette Lincoln has taken particular care to address the lives of women in these districts. A huge number, as you might expect in maritime communities, had to cope without their husbands. But it wasn’t just sailors’ wives. Many were widows, whose knowledge of their late  husbands’ work enabled them to keep family businesses not only running, but thriving. The Navy Board, in particular, increasingly recognised the inherent value of these women and wisely let them get on with it. But also, there was a supporting community spirit and, in at least one case, even from a rival shipyard. The imperative to churn out ships in time of constant national emergency was paramount.

I’m sure, like me, you will enjoy in particular, the pen-portraits of various individuals in this story. Benjamin Slade, the Navy Board’s purveyor in Deptford. His job was to procure every piece of material that went into a ship, from the anchor to the topsail. The best quality for the best cost he had to do a balancing act between shipwright and Navy. Mary and Elizabeth Slade, spinster sisters who ran a habidashery business in Deptford and lived to a great age. Some of their properties have survived to this day. Betsy Bligh, the wife of the famous sea captain, whose sensible management of his affairs at home underpinned his success such as it was and hedged against his tribulations. Her efforts at last remembered here. Frances Barnard, widow of the shipbuilder William Barnard. Following his death in 1795, she continued to run his business just as he had done: for the Navy Board, seamless continuity was the first priority.

I can but scratch the surface here. The author explores many other important areas: the rise of organised labour and the use of strike action, in effect proto-trade unionism; theatres, boxing and other entertainment in the maritime communities, including debating societies (the Government wasn’t keen!).

Then there are the interesting snippets. Did you know? Many ships were 499 tons or less to avoid the obligation by law of carrying a surgeon and priest; an average East Indiaman was only good for up to four voyages before being scrapped (this surprised me) – copper bottoming could extend a ship’s life by 50%; a ship’s owner or manager was known as its ‘husband’; a large ship would typically take three to four years to build. There is much more.

This book paints a detailed and very human picture of London’s maritime communities over a couple of generations at a time when Great Britain became the dominating world power. In sprite of the nation’s success and growing wealth and self-confidence, it highlights, in particular, the hard and precarious existence of all levels of society in the maritime parishes. It is a beautifully well-rounded work of history and deservedly our Book of the Year for 2018. I trust that is some compensation for not scooping the Woolfson Prize a few weeks ago!

 


Trading in War: London’s Maritime World in the Age of Cook and Nelson (292pp), by Margarette Lincoln, is published by Yale University Press, 2018.

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It seems obvious now you mention it, but it took someone to notice and then do something about it: Hogarth’s pictures are often very noisy. Whether outdoors or in, his compositions variously feature musicians, crying babies, street criers, yapping dogs, yowling cats, noisy children, yelling crowds and sometimes all of the above. Cacophony. This new exhibition at the Foundling Museum is called Hogarth & The Art of Noise.

Anyone who knows a little Hogarth if prompted about noise, will of course cite The Enraged Musician (1741), for many, his most amusing piece.

The Enraged Musician 1741 by William Hogarth 1697-1764

The curators claim 19 sources of racket in this image. I only managed to pick out 14. How about you? Here’s a bigger version.

But the centrepiece of this exhibition, the painting from which all else in the show is derived, is the museum’s own Hogarth masterpiece: The March of the Guards to Finchley (1750). It is Hogarth at his most opinionated, prejudiced and spiky. In short, at his best. It depicts the then fairly new Guards regiments in their mitre style headgear carousing in Tottenham Court prior to marching off to quell the Jacobite rebellion of 1745. Many of the noisy elements from The Enraged Musician are present – e.g. yowling rooftop cats: Hogarth was never shy of recycling a good visual joke. The point of the picture is to contrast the virility and virtue of Hanoverian Protestant Britain on the left with the weak, immoral and Catholic late Stuarts on the right.

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Larger version of this painting here.

Elsewhere in this quite small exhibition we have other examples from many of Hogarth’s work and noise, e.g. The Laughing Audience, alongside comparisons with his near contemporaries. To add further context, you can also listen via headphones to readings from Henry Fielding, Daniel Defoe and others.

William Hogarth and the Founding Museum are inextricably connected. He was a founding Governor of Captain Thomas Coram’s Foundling Hospital (1739)  for (mainly) illegitimate babies. Along with GF Handel and others, he did pro bono work for the hospital, such as designing its logo, as well as participating in fund-raising art exhibitions along with contemporary artists. He and his wife Jane – childless themselves – also occasionally fostered children from the hospital at their home in Chiswick.

This is a very thoughtful and thought-provoking exhibition. It’s further reassuring to see one of its consultants was Elizabeth Einberg, author of  the most scholarly book on Hogarth’s work ever produced. Most of all, though, it presents the opportunity to examine a Hogarth masterpiece completely unhindered by glass, distance or crowds. Don’t miss it!


Hogarth and the Art of Noise runs at the Foundling Museum until 1 September 2019.

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