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Archive for the ‘Tudor period’ Category

Or know about. I contend that you can’t begin to understand London’s history properly without a pretty decent knowledge of its geography too, and how it’s changed over time. The answer, of course, lies in maps.

There have been many, but here – up until the end of the 19C – are the most notable, milestones if you will (with a few other items thrown in, e.g. Visscher, Tallis).

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Tudor London by Braun and Hogenberg

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Mid 18C London by John Rocque

c1560 Ralph Agas (attr. disputed)

1572 Braun and Hogenberg, Civitates Orbis Terrarum

1593 John Norden. Maps of the Cities of London and Westminster

1616 Claes Visscher (1586 – 1652)   A Panorama of London

1667 Wenceslaus Hollar (1607 – 1677), City of London after the Fire, and more

1676 John Ogilby (1600 – 1676) and William Morgan (d 1690), City of London

1682 William Morgan, London &c Actually Survey’d, London and Westminster

1746 John Rocque (1706 – 1762) A plan of the cities of London and Westminster, and borough of Southwark.

1762 House numbering introduced.

1799 Richard Horwood (1757 – 1803), PLAN of the Cities of LONDON and WESTMINSTER the Borough of SOUTHWARK and PARTS adjoining Shewing every HOUSE

1827 Christopher (1786-1855) and John  Greenwood  (d 1840) Map of London.

1840 John Tallis (1817 – 1876), London Street Views

1898 Edward Stanford (1827 – 1904), Stanford’s Map of the County of London.

My list is just scratching the surface. There are dozens – possibly hundreds – of omissions, not least speciality maps relating to bombs, insurance, poverty, temperance, religion etc., And then there are the panoramas. Pure joy.


Recommended Reading/Owning
The Times Atlas of London (2012)
London, a History in Maps (2012)  by Peter Barber
Mapping London, Making Sense of the City (2007) by Simon Foxell


Recommended Sites
Locating London’s Past
Mapco
Motco
Stanfords


My final tip. Join the London Topographical Society.

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Mansions of Misery, A Biography of the Marshalsea Debtors’ Prison by Jerry White.

Book review and guest post by LH Member Jane Young

mansions of misery by jerry whiteMy introduction to the work of Jerry White was some time ago as a history student. The superb Rothschild Buildings: Life in an East End Tenement Block 1887-1920 (1980) contributed to two dissertations and later, as a lecturer in social history, it became a perennial staple on the essential reading list.

Mansions of Misery has much in common with Rothschild Buildings in that it is a “microhistory of a small distinctive community” and focuses on individual stories in minutiae, and most entertaining detail. An in depth account of the Marshalsea Prison, the culture of debt, credit and commerce and everyday economy of the commonplace necessities of life and trade in the Capital during the eighteenth and nineteenth century.

A study of people as well as an institution; all human life is here. Through the personal accounts of the debtors the incarcerated are given a voice. The looming threat of the Marshalsea is given a resonance and sense of place now almost unimaginable, permeating life in London across all classes. The story of the Marshalsea is also the story of ordinary Londoners and the telling of it results in a fascinating and beautifully written social history of the metropolis.

The research is thorough; moreover a subject that has the potential to be gloomy is made intriguing and immensely readable. A narrative that naturally requires some explanation of the British legal system of the years the Marshalsea was in operation is well executed in a clear and concise manner. Excellent endnotes add interest for the casual reader and make for an invaluable addition to academic reading lists.

The book reveals the Marshalsea during the times made familiar by Hogarth, Smollet and Dickens from the inside: the living arrangements; the hierarchy; the role of the turnkey; relationships among the prisoners; trades that not only served the Marshalsea but were also dependent upon it; the construction and fabric of the building and changes that took place as it evolved from early beginnings until closure in 1842. Within this is contained a picture of London that makes for compelling reading.


Mansions of Misery, a Biography of the Marshalsea Debtors’ Prison (364 pp) by Prof Jerry White is published by Bodley Head on 6 October 2016 with a cover price of £20.00.

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430 years ago today – also a Tuesday – Anthony Babington and six of his co-conspirators were executed. A guest post by Mathew Lyons.


On Tuesday 20th of September 1586, seven Catholic men were bound to hurdles in the Tower of London – one of them, a priest named John Ballard, on a single sled, the others two-a-piece – and were dragged westward on their final slow journey through the city’s autumnal streets to a hastily erected scaffold in the open fields ‘at the upper end of Holborn, hard by the highway-side to St Giles’, probably somewhere a little to the north west of what is now Lincoln’s Inn Fields, then known as Cup Field. The crowd gathered at the scaffold numbered in thousands. The authorities had fenced off the site to stop horsemen blocking the view, and had also raised the gallows ‘mighty high’, so that everyone could see justice being done.

The names of the men were – Ballard aside – Anthony Babington, John Savage, Robert Barnwell, Chidiock Tichbourne, Charles Tilney, and Edward Abingdon. (Seven more conspirators and their accomplices would die the following day: Edward Jones, Thomas Salisbury, John Charnock, Robert Gage, John Travers, Jerome Bellamy and Henry Donne, elder brother of the poet.) Most of them were minor courtiers, well-connected, wealthy; it was said they wore fine silks on this, their last day. Just a week before they had been tried at Westminster and found guilty of treason; six weeks before that, they had still been free men. But then had come intimations of arrest – one story is that Babington was alerted by catching sight of a message delivered to a dining companion named Scudamore and realising that Scudamore was, in fact, one of Walsingham’s men – followed by dispersal and desperate flight, Babington and four others taking to what was then still wild woodland beyond the city at St John’s Wood.

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Contemporary illustration of the Babington conspirators.

The authorities searched the houses of some thirty known recusants around London. Almost all were outside the city walls in places such as Hoxton, Clerkenwell, Highgate, Enfield, Islington, Newington and Westminster. One conspirator, John Charnock, was captured on the road from Willesden, where he too had slept in the woods. Babington and his companions, hungry and fearful, disguised their clothing and cut their hair, smeared their faces with green walnut shells, and then – with watches guarding every road out of London – made their way cross-country to what they hoped would be a safe house near Harrow-on-the-Hill. Servants there noticed the strangers’ arrival, their oddness; furtive conversations and the gold lacework of a fine cloak over coarse yellow fustian doublets. The five were finally taken, hiding in the barn. Bells rang out across the city as news of their arrest spread; fires were lit and psalms sung, song and smoke rising together in the late summer air.

And now the men were to be hanged, drawn and quartered.

Although the exact site of the gallows is unknown, we do know that it was chosen for symbolic purposes: the men had used these fields for secret meetings as they plotted to assassinate Elizabeth I and replace her on the throne with Mary, Queen of Scots. Indeed, much of their conspiracy seems local to this area, just beyond the city’s western edge where streets and houses seeped into pasture, and where, on warm spring days, women dried their washing out in the fields, weighting down the sheets with rocks and stones. If in some senses the locale emphasises the marginality of their deadly enterprise, it also perhaps hints at a fatal detachment from reality.

Two of the conspirators’ favoured inns were nearby: The Plough, which seems to have been close to Fickett’s Field, between Cup Field and The Strand, and The Rose Tavern, which was on the south side of the Strand itself, just without Temple Bar on the corner of Thanet Place, and well-known for its garden. (A character in Middleton’s Roaring Girls claims to ‘have caught a cold in my head… by sitting up late in the Rose Tavern’.) Savage, Charnock and Babington had rooms in Holborn, the latter at a place called Hern’s Rents, an address he shared – coincidentally or otherwise – with another would-be Catholic regicide, Edmund Neville, who also used to walk in the fields with his co-conspirator, William Parry. Just eighteen months earlier, Neville had betrayed Parry to Walsingham – and to the fate that now awaited Babington and his friends.

Francis Walsingham, circa 1585, attr. John de Critz the Elder. National Portrait Gallery.

Francis Walsingham, circa 1585, attr. John de Critz the Elder. National Portrait Gallery.

It was customary for a traitor’s death to come by hanging, and for the blood rituals to be enacted on his corpse. This day, however, was different. One after another, the men were left to swing briefly by the neck – until they were half-dead, an onlooker wrote – and then cut down from the gallows, still alive and conscious, and made to watch as the executioner hacked off their genitals and dug out their guts – and then eventually their hearts – with his knife. As their insides were cast into a burning brazier, each man’s body was then dismembered, and the severed head set above the gallows.

As the historian William Camden – a likely an eye-witness – noted, the day’s events were ‘not without some note of cruelty’

The first man to die, was Ballard, arguably the plot’s ringleader. The second, its lynchpin, was Babington. He alone of the men standing beside the scaffold awaiting their fate watched Ballard’s agony’s unflinchingly, coolly, not even deigning to remove his hat; the others turned away, fell to their knees and bared their heads in prayer. But when it was his turn to suffer, and he was pulled down breathing from the gallows to face the executioner’s knife, he cried again and again Parce mihi Domine Iesu, Spare me Lord Jesus.


A longer version of this article was first published in London Historians Members’ newsletter of December 2011. A pdf version can be found on our Articles page. Scroll down to December 2011. LH Member Mathew Lyons is a writer, historian and author of The Favourite, which relates the story of Elizabeth I and Sir Walter Ralegh.

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We cannot allow Shakespeare 400 completely to overshadow the anniversary of another giant of Elizabethan theatre.

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Edward Alleyn (1566 – 1626) was born 450 years go this day in Bishopsgate to a quite well-off family with some royal connections. He was pretty much Shakespeare’s exact contemporary.

Alleyn eschewed the family innkeeping business to take to the stage, supported by his elder brother John. From a teenager in the early 1580s to about 1600 he was spectacularly successful as a leading actor with great stage presence. Working successively for the Earl of Worcester’s Men, the Admiral’s Men and Lord Strange’s Men, the young actor performed both in the capital and on tour. His best-known roles were written by Christopher Marlowe and Ben Johnson.

Alleyn’s only significant performing rival was Richard Burbage (1567 – 1619), who worked primarily with Shakespeare. Alleyn had teamed up with his stepfather-in-law Philip Henslowe (1650 – 1616). These, then, were the two dominant rivals in the London theatre business at the turn of the 17th Century.

Despite the rise of puritanism at this time, entertainment in London was nonetheless massive business. Alleyn and Henslowe coveted the mastership of the bears, the patent to run all animal baiting shows (bears, bulls and even lions for King James himself, a noted connoisseur of animal cruelty). They succeeded in securing this from 1604, until 1612, a period during which they also won the direct patronage of young prince Henry. Meanwhile, the two business partners invested in and built a new playhouse, the Fortune, in St Giles Cripplegate. Despite local and puritan opposition against the venture, the impresarios had more than enough influence in very high places to win through.

Still only in his thirties, Alleyn retired from acting completely around 1600 to concentrate on co-managing the business which had made him exceptionally wealthy. Conspicuous philanthropy was a particular leitmotif of the age. Edward Alleyn – twice-married yet childless – wished to cement his name, reputation and memory through worthy foundations. Having purchased the manor of Dulwich in its entirety in 1605 and moved there, he endowed Dulwich College which was formerly opened on 13 September 1619. The ceremony was attended by Francis Bacon, Inigo Jones and other worthies. Old Alleynians of note include Sir Ernest Shackleton, P.G. Wodehouse and Raymond Chandler.

Please remember to raise a glass to this Londoner of great note.

** It just so happens that a week today is our Annual Lecture for 2016 at Gresham College. Professor Sheila Cavanagh will be talking about the whole theatrical environment and business during Shakespeare’s time. Preceded by a wine reception. There are about a dozen places still available at time of writing. **


Edward Alleyn in Wikipedia
Edward Alleyn in the Oxford Dictionary of National Biography (subscription required).

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General the Lord Dannatt recently retired from the ancient position of Constable of the Tower. Here, LH Member Chris West writes a guest post about some of the highlights of this 900 year old office.

This is the most senior appointment at the Tower; the first Constable was Geoffrey de Mandeville, appointed by William the Conqueror in 1078. In the medieval period, four Archbishops of Canterbury held the office, Thomas à Becket being the most famous. The Constable of the Tower was nominally responsible for management of the site when the monarch was not in residence; the duties for managing the site devolved to a deputy known as the Lieutenant of the Tower, who had an office with clerks to oversee administration, accounting and running the Constable’s own court of law.

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Over time Constables acquired a variety of legal and financial privileges which included collecting tolls on selected goods from trading ships and entitlement to all flotsam and jetsam on the Thames. They also gained from fees paid by state prisoners for their upkeep, the ownership of livestock falling from London Bridge and passing swans. Sir Henry Bedingfield was appointed Constable by Queen Mary and was responsible for Princess Elizabeth while incarcerated at the Tower prior to her removal to Woodstock. The Princess was reported by some sources to have lived in fear for her life while at the Tower. Following her succession, Queen Elizabeth may have advised Bedingfield to stay away from Her Court. Sir John Holland, Duke of Exeter, was a leading army commander who had served at Agincourt. He was appointed Constable and died in 1447. Originally, his tomb was in the nearby Royal Foundation of St Katharine but is now in St Peter ad Vincula at the Tower itself. Since 1784 the Constable has been a senior Army officer, either Field Marshal or General. Henry VIII built The Queen’s House for Anne Boleyn which has since been used by Constables and Governors.

duke of wellingtonArthur Wellesley, 1st Duke of Wellington was Constable from 1769 to 1852. He made important changes, which included draining the moat, removing the menagerie of wild animals, reorganising the establishment of the Yeoman Warders, overseeing the building of the Waterloo Barracks and other extensive restoration of the site. He also made the last, unsuccessful attempt to refill the moat. Wellington did not favour its development into a museum and preferred the Royal Repository at Woolwich for the prizes from Paris in 1815. He did ensure that the guns captured in the Peninsular War and at Waterloo would be preserved at the Tower, some of which are still outside the Waterloo Block. His memory is honoured with a plaque in the Chapel Royal- though interestingly, this was only initiated recently.

Since 1933 the Constable’s appointment has been for five years. His installation is celebrated on Tower Green before an invited audience. The Lord Chamberlain hands the keys of the Queen’s House to the new Constable, who then entrusts them to the Resident Governor, responsible for the management of the Tower.

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The Constable still retains the right to direct access to the monarch. Ceremonial events are attended, including gun salutes, state parades and the Ceremony of the Dues, representing the historic toll of wine or goods paid by ships entering the Pool of London. A Royal Navy vessel berths at Tower Wharf, bringing into the Tower a ceremonial keg slung from an oar, accompanied by a parade headed by the Chief Yeoman Warder, then a military band followed by the ship’s company. At Tower Green, they are met by Tower officials in full dress uniform and the keg is presented. Both parties and guests then retire for refreshments.

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Former Chief of General Staff, General the Lord Dannatt has just finished his tenure as the 159th Constable, having served for seven years instead of the usual five. He has further distinguished himself with his extensive input while resident. Being a Trustee of Historic Royal Palaces (the independent charity responsible for running the Tower), he was involved in the excellent 2014 poppies installation in the moat, ‘Blood Swept Lands and Seas of Red’. He also helped coordinate the services charities involved and was a central figure in the daily Roll Call ceremony.

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Lord Dannatt was extensively involved in life at the Tower, its residents and the various ceremonies, while still regularly attending at the House of Lords. Lord and Lady Dannatt were key figures in raising money to renovate the Chapel Royal and to improve funding for the unique choir, successfully hosting many special day and evening events.

General Sir Nicholas Houghton replaces Lord Dannatt as the 160th Constable.


 

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curtain theatre 200Last week, as guests of Museum of London Archaeology (MOLA), we visited one of their current explorations, that of the old Elizabethan playhouse, the Curtain Theatre. The opportunity for access comes about prior to a new developement on the site for retail and office complex to be called, appropriately, The Stage.

The Curtain ran from 1577 to 1627 in Shoreditch, initially under the proprietorship of Richard Burbage. Like its counterparts in Southwark – the Globe and the Rose – the theatre was sited outside the walls of the City of London, which held restrictive laws against public entertainment of this sort.

One for the team’s key findings is that the theatre was a rectangular building of approximately 22m by 30m, and not polygonal as previously thought. As is usual in virtually any excavation in London, many historic artifacts have been unearthed. One of particular interest in this instance is the remains of a bird whistle, in this case probably for theatrical sound effects rather than a child’s toy. There are numerous references to bird song, for example, in Romeo and Juliet, for example: “That birds would sing and think it were not night. ”

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Although selling out fast, there are still places left on the public tours of the site, which are taking place on Fridays, full details of these are listed on the MOLA web site.

This visit is quite typical of a wide variety of Events undertaken by London Historians, most of which are nowadays Members only affairs. Join us!

 

 

 

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DSC01912_250Last week I went to the Royal College of Physicians to take a look at their new display celebrating the Tudor polymath John Dee. I don’t know why but I rather foolishly had no big expectations of the Royal College itself. But what an amazing place! My apathy may have been caused by the fact that their home is in a building designed by London’s number one brutalist concrete maestro, Sir Denys Lasdun. Grade I listed and opened by Her Majesty the Queen in 1964, it’s actually a rather handsome structure and once inside you realise it does a great job. One would expect this incongruous mid-20C building to stick out like a sore thumb amid the classical, cream Nash-ian terrace of Regent’s Park, but no: the RCP’s headquarters is indeed a gracious neighbour.

Royal College of Physicians

Provided you sign in and don one of those human cattle badges on a lanyard (yellow), you’re free to explore virtually the whole building unhindered. Most wallspace is covered with portraits of the greats of medicine of the past, by some of the leading portrait painters of their times. Reynolds, Lely, Lawrence, Hoppner, Zoffany. Here and there are portrait busts: I spotted at least one by Roubiliac.

But the most engaging parts are on the ground floor: a large collection comprising several hundred apothecary jars; a museum room with a wonderful, intriguing and sometimes eye-watering collection of historical medical instruments and devices, the pride of which must be the rare example of a 17C Prujean chest, named after Dr Thomas Prujean who devised it; and the Censors’ Room, dressed in the original 16C Spanish oak, transferred from the college’s three previous homes. This is where you would have your final examination to become a Member of the College, that is to say a legally practising doctor of medicine. You’d face the torture of a proper grilling by the leading medical men of their age. Prompted by English physicians of the time, Henry VIII founded the college in 1518 to reflect that which pertained on the continent. Prestige.

Royal College of Physicians

Royal College of Physicians

Royal College of Physicians

Royal College of Physicians

What follows about Dee notwithstanding, I’d highly recommend a visit to the Royal College of Physicians any time.

John_Dee_250John Dee (1527 – 1608/9), like his exact contemporary Sir Walter Ralegh, was an Elizabethan renaissance man par excellence. The two men had much in common, not least sharing a catastrophic drop from favour when James I became king, despite in both of their cases being friends of – and championed by – young Henry, Prince of Wales. And while Sir Walter may have been a more belligerent man of action, Dee was no mean traveller himself and shared with Ralegh a great the vision of an English Empire.

Dee was a mathematician, an astronomer, a map-maker, an apothecary, a courtier, an achemist. While not a qualified physician, he was sufficiently trusted on medical matters for Queen Elizabeth to send him to Europe to seek a cure for one of her ailments. He believed, as many did then, that we could communicate with angels and indeed less benevolent creatures from beyond the veil. Assisted by his associate, the “scryer” Edward Kelley, he would communicate with spirits. Not surprising, then, that in 1555, Queen Mary had him locked up in the Tower as an alleged sorcerer. Fortunately – and unlike many others – he was able to charm and actually befriend his interrogator, Archbishop Bonner, establish his good Catholic credentials and be given the official stamp of approval.

Like most men of affairs during his era, John Dee was a great bibliophile. His library comprised over 4,000 books and manuscripts, vast by the standards of the day. It was housed at his home, a large house in Mortlake where he also kept his laboratory and entertained guests, including the queen herself. Heartbreakingly for Dee, most of his books were stolen or sold off by an unscrupulous relative – one Nicholas Fromond – while Dee was away on one of his travels. Down the years, over a hundred of these have come into the possession of the RCP, making it the biggest single collection of Dee’s books in the world. A selection of them forms the basis of a new display which opened last week. They are a joy to examine.

Royal College of Physicians, John Dee

Royal College of Physicians, John Dee

Clearly these tomes were not just for display, but for careful reading. For they are heavily annotated by Dee, as was the habit of those times. Underlinings all over the place, and marginalia comprising commentary and the little diagrams of the pointing hand here and there, a common Tudor era device (Henry VIII used it a lot, along with an eye). But there are also other types of diagrams – horoscopes, faces, shapes – particularly where topics like geometry are concerned. Best of all, though, is Dee’s drawing of a ship in full sail in the bottom corner of a page in Cicero’s Opera, published in 1539.

What interested me about this show was thinking about the golden generation of the late 16C – Shakespeare, Dee, Ralegh and their like – and comparing it with another golden generation but very different group a hundred years later – Wren, Hooke, Boyle, Evelyn, Pepys etc. In the interim, Francis Bacon had taught brainy men to think differently and the tumult of civil war and plague had entirely transformed the country, London in particular.

Hence, this exhibition is a must-visit for everyone interested in early modern history: absorbing and thought-provoking.

Scholar, Courtier Magician: the lost library of John Dee runs until 29 July 2016 at the Royal College of Physicians. Entrance is free.

Royal College of Physicians, John Dee

Victorian genre painting depicting John Dee at his house in Mortlake entertaining the queen and her entourage.

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